ArchivesSpace at the University of Iowa

Ray Gosling wrote the introductory essay. -- Source of annotation: Marvin or Ruth Sackner.

Stored in Prigov box. -- Source of annotation: Marvin or Ruth Sackner.

In this autobiography dealing with his life in the sixties and seventies, Saroyan provides an analysis of his 1965 poem, "Lighght," and the wisespread public outcry engendered by its publication. -- Source of annotation: Marvin or Ruth Sackner.

The Sackner Archive is listed as holding works by Tipping. -- Source of annotation: Marvin or Ruth Sackner.

This is the definitive biography of Kassak in English. -- Source of annotation: Marvin or Ruth Sackner.

Ann Noel, the wife of Emmett Williams dedicated this book "In memory of Emmett Williams with whom I shared the adventures described in this visual diary from a part of our life together." -- Source of annotation: Marvin or Ruth Sackner.

Ann Noel, the wife of Emmett Williams dedicated this book "In memory of Emmett Williams with whom I shared the adventures described in this visual diary from a part of our life together." -- Source of annotation: Marvin or Ruth Sackner.

On page 143, Grumman describes his visit to the Sackner Archive in 1985. -- Source of annotation: Marvin or Ruth Sackner.

This book deals mainly with Fahlstrom's literary and poetic works. It includes a reprinting of his manifesto for Concrete Poetry ( 1953). -- Source of annotation: Marvin or Ruth Sackner.

This publication is edited by Antonio Claudio Carvalho. -- Source of annotation: Marvin or Ruth Sackner.

Waldemar Cordeiro was the first poet/artist in Brazil to use computer art/text in his work. In bit international No.5/6 1969 (held by the Sackner Archive), it is mentioned that he was a participant in a program entitled, "computers and visual research" (1969). -- Source of annotation: Marvin or Ruth Sackner.

This catalogue depicts copious illustratIons of his works througout his lifetime. It is mentioned that Kriwet wrote his first book, "Rotor," in 1961 as a continuous text without capital letters, stops and commas at age 19 years. This book is analyed on pages 53-55 by Christoph Benjamin Schulz. A 1981 solo exhibition was the last one for 23 years until 2004 when rgw BQ gallery in Cologne showed old and recent works. And until 2011 when the Kunsthalle Dusseldorf held this retrospective. Pages 57-103 depict examples of Kriwet's typewritten poetry beginning at age 14 years with convention poetry and progresssing to concrete poetry. -- Source of annotation: Marvin or Ruth Sackner.